Please bring original piano scores for your music in the key in which you will sing. Musical theater repertoire is not acceptable for your English selection.Īn accompanist will be provided for voice auditions held both on and off-campus.
Please select classical vocal repertoire from a broad cross-section of historical periods. View a list of recommended voice literature.Ī minimum of one song must be in English, and there should be at least one song in a foreign language. A work composed after 1900, contrasting in style to the other works chosenįour songs of contrasting styles and historical periods should be prepared and memorized.BACH or a work by another Baroque period composer Contact Annie Laver, assistant professor and University Organist, at *enable javascript to see email* with specific repertoire questions. Prepare three contrasting works from the categories below, together with a hymn. A work composed after 1900, contrasting in style to the other works chosen.Ĭontact Professor Ida Tili-Trebicka at *enable javascript to see email* with specific repertoire questions.One movement of a sonata by HAYDN, MOZART, or BEETHOVEN.Your remaining repertoire should come from two of the following three categories: Bach. In lieu of this, you may present three movements from a French Suite, English Suite, or Partita one Three-Part Sinfonia, or two Two-Part Inventions. One of the three works must be a Prelude and Fugue from the Well - Tempered Clavier by J.S. Prepare from memory three contrasting works. Sight-reading will be required at all auditions. Sight-reading will also be required.īe prepared to play all major and minor scales and arpeggios. Examples include: Frantz Casseus, Francis Bebey, Emilia Giuliani, Justin Holland, Amos Coulanges, Clarice Assad, Annette Kruisbrink, Tania León, and Dale Kavanagh, among others.Įmphasis will be placed on a solid technical foundation that allows for ease of execution and control over musical elements such as tone quality, dynamics, rhythm, vibrato, and phrasing.One composition by a BIPOC or a female composer:.One etude by Carcassi, Sor, Giuliani, Sagreras or Legnani.One movement from a Lute Suite, Cello Suite or Unaccompanied Solo Violin Sonata/Partita of Johann Sebastian Bach.In addition to all the diatonic major and minor scales edited by Andres Segovia, undergraduate candidates auditioning on the classical guitar should prepare three selections from the five categories listed below. View a list of recommended harp literature. Solo repertoire may be supplemented with (but not replaced by) etude or orchestral excerpt literature. In the case of multi-movement works, prepare only two movements per multi-movement work. Optional standard orchestral excerpts of your choice.īe prepared to play all major scales and a chromatic scale in two (or three where possible) octaves.A two or three-octave scale and arpeggio of your choice.Possible Sightreading from standard orchestral repertoire.Three Octave Melodic Minor Scales: A, D, E.Three Octave Scales and Arpeggios in the following keys:.
TWO movements of a BACH solo sonata or partita OR the Chaconne.
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